![]() ![]() He spurns every effort by his wife and the airline crew to subdue him, eventually managing to steal a gun, bust open the window, and shoot the monster. In a tight 22 minutes, we learn this man's backstory, see him discover a frightening monster on the wing of the plane, and watch in vain as he fails to convince anyone of the danger. ![]() He will not be fine.Ī still from the original episode. He takes a seat next to his wife on a plane home from the sanatarium, promising her that he'll be fine, despite the fact that a flight caused his previous panic attack. In the original, viewers are introduced to a man recovering from a recent mental breakdown. Take the perennial classic Nightmare at 20,000 Feet, which was reborn as the higher-and less linear- Nightmare at 30,000 Feet in the Peele-helmed Twilight Zone reboot. If anything, he beat the viewer over the head with his message, as if the harder he hit, the more likely he was to get through.įor better or worse, that is not how Jordan Peele's remake plays. He'd render the sci-fi case closed, offer a lesson to be learned while still giving something heady to chew on as the credits rolled. After promising that a main character would enter the show's titular dimension-usually after setting up said character's tragic flaw-Rod Serling could be counted on to deliver a succinct, thoughtfully worded speech. As the original Twilight Zone spiraled through time periods and parallel dimensions, the show's moral compass always held steady. ![]()
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